Russian Federation
This article analyzes the evolution of Russian fiction before and after 1861, based on the critical study by L.E. Obolensky "Where is the Truth? Old and new fiction writers". Obolensky noted a change in public demand: instead of artistic images, the public began to demand practical doctrines. He believed that the truth in art is achieved through the reconciliation of extremes through a deep study of the new reality and a return to a living image, which contributes to the creation of brilliant works in Russia.
L.E. Obolensky, fiction, The Great Reforms, Alexander II, I.A. Goncharov, I.S. Turgenev.
1. N. N. [Obolenskiy L. E.] Gde pravda? Starye i novye belletristy // Mysl'. – 1880. – № 2. – S. 240–255.
2. Goncharov I. A. Luchshe pozdno, chem nikogda // Goncharov I. A. Sobr. soch. v 8t. – M.: Gos. izd-vo hudozh. lit., 1955. – T.8. – S. 64–113.
3. Zubkov K. Yu. «Obryv» I. A. Goncharova i «antiestetika» 1860-h godov // Russkaya literatura. – 2015. – № 2. – S. 155–166.
4. Otradin M. V. Tvorcheskiy spor, v kotorom geroy vsegda proigryvaet (komicheskoe v romane I. A. Goncharova «Obryv») // ArtLogos. – 2017. – №2. – S. 23–35.
5. Chernikova A. «Obryv» kak netipichnyy antinigilisticheskiy roman: fenomen Goncharova // Aktual'naya klassika: Materialy Devyatyh studencheskih nauchnyh chteniy, Yaroslavl', 22 aprelya 2025 g. – Yaroslavl': Obschestvo s ogranichennoy otvetstvennost'yu «GRONT», 2025. – S. 189–197.
6. Semuhina I. A. Avtor – geroy – chitatel': pravo na svobodu («Otcy i deti» I. S. Turgeneva) // Filologicheskiy klass. – 2012. – № 4. – S. 83–87.
